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Addendum from Artmarket.com concerning the cryptocurrency Artprice Coin in the NFT market

2022/02/07 Commentaires fermés

Following Artmarket.com’s press release of 7 December 2021:

https://www.actusnews.com/fr/artmarket/cp/2021/12/07/artmarket_com-here_s-why-the-art-market-via-the-nft-revolution-will-enjoy-exponential-growth-with-artprice

Artmarket.com has received requests for further details from shareholders, investors, observers and the cryptocurrency community concerning, notably, the following paragraph in that press release:

The DNS artpricecoin.com, filed in December 2017 (along with all the corresponding names) illustrates Artprice by Artmarket’s early awareness of this paradigm shift to NFTs and cryptocurrencies‘.

Philip Zimmermann
Courtesy of Organe Museum / Abode of Chaos / La Demeure du Chao

Artmarket.com wishes to point out that, to date, there is not yet a specific cryptocurrency for the group, but that its work groups, after intense reflection, projected different scenarios where French and/or European legislators and/or American legislators would start building workable legislative frameworks for a crypto-culture which already has a relatively long history and is currently practised by more than a billion people around the world.

The development and implementation of these frameworks (i.e. the legal adjustment to an existing reality) is a process seen repeatedly throughout history, particularly in the fields of economics and science during the 20th century.

Artmarket.com’s global strategy has long included the creation of a specific cryptocurrency for the art market, as demonstrated by the filing date of the DNS artpricecoin.com (.net .org, etc. and its corresponding names).

Artprice has been studying the historical and economic realities of the art market for many years, both at its core and on its periphery, and it wishes to remind today’s emerging cryptocurrency community of the real starting point of crypto culture: the mythical crypto anarchist Manifesto by Timothy C. May at the CypherPunk Meeting in 1992.

Groupe Serveur, an Internet pioneer in Europe since 1987 and Artprice by Artmarket’s reference shareholder, has always been sensitive to the CypherPunk community, itself a regular user of PGP (Pretty Good Privacy) since 1991.

For thierry Ehrmann, founder of the Server Group: ‘Computer scientist Philip Zimmermann is a visionary who very quickly understood the imperative need to protect personal data.’

Groupe Serveur’s culture is deeply rooted in cryptology and is very close to the Electronic Frontier Foundation. Simon Singh’s book The Code Book (1999) as a perfect illustration of the history of cryptology as experienced by Groupe Serveur.

With favourable legislation in Europe and/or USA, the issuance of this cryptocurrency by its American subsidiary Artprice Inc. (SoundView Press since 1992) will pursue one primary objective: to restore artists to the central place they should be occupying within the art market.

For thierry Ehrmann: ‘In historical terms, the nearest thing to the impact of NFTs on the art world was the paradigm shift we now call the ‘Renaissance’. Not since then – when Johannes Gutenberg’s printing press allowed artists to print editions of their work – has there been such a massive transfer of power into the hands of artists.

The Renaissance allowed artists to generate incomes and to control their production independently in their workshops and factories. Today with cryptocurrencies being essential to the exponentially growing NFT market, we are experiencing a similar paradigm shift.’

thierry Ehrmann, CEO of Artmarket.com and founder of Artprice, is a sculptor and visual artist, registered for over 36 years with copyright companies, and creator of the famous Abode of Chaos, a vast CyberPunk and dystopian metaverse of 6,300 works on a 9,000m² site in Lyon France.

Acutely aware of the conditions and responsibilities facing artists today, thierry Ehrmann has been communicating daily with other creators in various artistic disciplines and organising lively debates with artist-in-residence at the Abode of Chaos for three decades.

Artmarket.com wants to liberate artists from the cogs of an unforgiving system that slows their emergence. Formerly dependent on orders from ecclesiastical hierarchies, then from royal families and aristocrats, artists today are very often confronted with insurmountable economic obstacles preventing them from making themselves known and from being fairly compensated for their work.

An authorized creation of the Artprice Coin cryptocurrency by Artmarket.com will ultimately make it possible to restore the balance between artists and other players in the art market – a balance that is often weighted against the artist – via a more equitable distribution of wealth between the parties.

Artists will then be able to watch their income and notoriety grow without damaging their reputations or their relationships with the art market’s key players.

In 2022, entire communities, whether street, land or performance artists – often economically isolated from the art market due to the particular nature of their works – will finally have the opportunity to trade directly with their audiences using exchanges of Artprice Coin by Artmarket.com.

Image: [https://imgpublic.artprice.com/img/wp/sites/11/2021/12/Philip-Zimmermann-IMG-7720.jpg]

Copyright 1987-2021 thierry Ehrmann www.artprice.comwww.artmarket.com

About Artmarket:

Addendum d’Artmarket.com sur la cryptomonnaie Artprice Coin dans le marché des NFTs

2022/02/04 Commentaires fermés

Suite au communiqué du 07 décembre 2021 d’Artmarket.com :

https://www.actusnews.com/fr/artmarket/cp/2021/12/07/artmarket_com-le-marche-de-l_art-par-la-revolution-des-nfts-va-connaitre-une-croissance-exponentielle-avec-artprice-pour-les

Artmarket.com a reçu de très nombreuses demandes de précisions venant d’actionnaires, investisseurs et observateurs, mais aussi de la communauté des cryptomonnaies concernant le paragraphe :

« Le DNS artpricecoin.com, déposé en Décembre 2017 ainsi que les marques correspondantes, démontrent la sensibilisation précoce d’Artprice by Artmarket à ce changement de paradigme, aux NFTs et cryptomonnaies. »

Philip Zimmermann
Courtesy of Organe Museum / Abode of Chaos / La Demeure du Chaos

Artmarket.com tient à préciser qu’à ce jour, il n’existe pas encore de cryptomonnaie spécifique au groupe, mais que ses groupes de travail, au terme d’une intense réflexion, ont projeté différents scénarios où le législateur français et/ou européen et/ou américain s’emparerait de cette longue culture désormais pratiquée par plus d’un milliard de personnes dans le monde pour légiférer avec sagesse au regard du monde numérique.

Ce ne serait que l’évolution naturelle de l’Histoire comme l’économie et la science nous l’ont appris au cours du XXe siècle.

En effet, comme le démontre la date de dépôt du DNS artpricecoin.com (.net .org…) et de ses marques, la stratégie globale d’Artmarket.com passe par la création d’une cryptomonnaie spécifique après approbations réglementaires.

Il faut savoir qu’Artprice, avec ses historiens et économistes, a replacé le contexte des cryptomonnaies de 2022 avec comme point de départ la version mythique du « cryptoanarchiste Manifesto »de Timothy C. May au CypherPunk Meeting de 1992.

Le Groupe Serveur, pionnier de l’Internet en Europe depuis 1987 et actionnaire de référence d’Artprice by Artmarket a toujours été sensible à la communauté CypherPunk, lui-même utilisateur régulier de PGP (Pretty Good Privacy) depuis 1991.

Pour thierry Ehrmann, fondateur du Groupe Serveur et d’Artprice : « Philip Zimmermann est indiscutablement un des grands visionnaires qui avait compris la nécessité impérative de protéger les données personnelles. »

La culture du Groupe Serveur est très ancrée dans la cryptologie et elle est très proche de l’Electronic Frontier Foundation. L’ouvrage de Simon Singh « The Code Book » (1999) est la parfaite illustration de l’histoire de la crypto selon groupe Serveur.

La mise en circulation de cette cryptomonnaie avec une législation favorable en Europe et /ou aux USA par sa filiale américaine Artprice Inc. (SoundView Press since 1992) poursuivra un objectif principal : redonner à l’artiste la place centrale qu’il doit occuper dans le Marché de l’Art.

Selon thierry Ehrmann : « Pour bien comprendre l’impact historique des NFTs indissociables des cryptomonnaies dans le monde de l’Art en 2021, il faut remonter à la Renaissance, pour accéder à un tel niveau de changement de paradigme. Nous n’avions jamais atteint un tel transfert de pouvoir entre les mains des artistes, car c’est bien grâce à l’imprimerie de Johannes Gutenberg que les artistes ont pu imprimer leurs premières éditions.

Ce changement de paradigme a permis aux artistes, pour la première fois de leur histoire, de générer des revenus et de pouvoir contrôler eux-mêmes leur production dans leurs ateliers et fabriques. Nous vivons à nouveau un changement de paradigme du même niveau historique, aujourd’hui avec les cryptomonnaies indispensables au marché des NFTs en croissance exponentielle ».

thierry Ehrmann, PDG d’Artmarket.com et fondateur d’Artprice, est également sculpteur plasticien, inscrit depuis plus de 36 ans aux sociétés de Droits d’Auteur, et auteur de la célèbre Demeure du Chaos / Abode of Chaos, vaste métavers CyberPunk et dystopique de 6300 œuvres sur 9 000m² :

thierry Ehrmann, très sensibilisé à la condition de l’artiste, échange quotidiennement et organise des débats animés avec d’autres créateurs de disciplines artistiques diverses en résidence à La Demeure du Chaos / Abode of Chaos depuis 30 ans.

Artmarket.com a la volonté de contribuer à affranchir l’artiste des rouages d’un système implacable qui ralentissent son émergence. Autrefois tributaire des commandes des Princes de l’Église, puis des Princes de sang, l’artiste est bien souvent confronté aujourd’hui à des obstacles économiques infranchissables qui l’empêchent de se faire connaître et d’être justement rétribué pour son travail.

La création autorisée de la cryptomonnaie Artprice Coin par Artmarket.com permettrait à terme de rétablir enfin les équilibres entre l’artiste et les autres acteurs du Marché de l’Art, souvent rompus au détriment de l’artiste, avec une redistribution des richesses plus équitables entre les parties.

L’artiste pourra alors voir croître ses revenus, sa notoriété, sans pour autant écorner son image et sa relation avec les acteurs du Marché de l’Art.

En 2022, des communautés entières, comme les artistes du Street Art, de Land Art et les performeurs en particulier, souvent à l’écart économiquement du Marché de l’Art étant donné la spécificité de leurs œuvres, auront enfin l’opportunité de rencontrer directement leur public grâce aux échanges en Artprice Coin d’Artmarket.com.

Image : [https://imgpublic.artprice.com/img/wp/sites/11/2021/12/Philip-Zimmermann-IMG-7720.jpg]

Copyright 1987-2021 thierry Ehrmann www.artprice.comwww.artmarket.com

Le département d’économétrie d’Artprice répond à toutes vos questions relatives aux statistiques et analyses personnalisées : econometrics@artprice.com

En savoir plus sur nos services avec l’artiste en démonstration gratuite :
https://fr.artprice.com/demo

Nos services :
https://fr.artprice.com/subscription

A propos d’Artmarket.com :

Artmarket.com: Artprice 매니페스토 – NFT와 메타버스의 미래

2021/11/24 Commentaires fermés

파리, 2021년 11월 24일 /PRNewswire/ — 2021년 11월 9일자 이전 보도 자료에서 발표한 바와 같이 Artmarket.com은 연구 지원 및 데이터를 통해 Artprice의 NFT® 마켓플레이스가 향후 연간 수천만 유로의 매출을 창출할 완벽한 위치에 있음을 선언합니다.

Artmarket.com: Perfectly Positioned to Generate Enormous Revenue From Its NFT Marketplace on Artprice-nft.com

Artprice 메타버스
©티에리 에흐만(Thierry Ehrmann)의 ‘알케미컬 프랙탈 1(Alchemical Fractal 1)’ (999개 작품 컬렉션), 철강 원료, NFT 조각품 및 알고리즘.
오르간 박물관(Organe Museum)/혼돈의 집(Abode of Chaos/La Demeure du Chaos) 제공
https://www.flickr.com/photos/home_of_chaos/albums/72157714573284962

Artprice Metaverse - ©'Alchemical Fractal 1'(collection of 999 works), raw steel, NFT sculpture and algorithm by thierry Ehrmann. Courtesy of Organe Museum / Abode of Chaos / La Demeure du Chaos https://www.flickr.com/photos/home_of_chaos/albums/72157714573284962

사진 – https://mma.prnewswire.com/media/1692202/Artprice_Metaverse.jpg

artprice-nft.com

사진 – https://mma.prnewswire.com/media/1692203/Artprice_NFT_Bill.jpg

artprice-nft.com

이러한 예측은 오늘날과 같은 NFT 매체의 경제적 현실과 급부상하고 있는 메타버스의 멀티버스에서의 거의 무한한 잠재력을 기반으로 합니다.

이는 또한 항상 미술 시장의 중심에 예술가를 배치하기 위해 노력해 온 Artmarket의 Artprice DNA의 일부인 역사, 경제 모델, 친환경적 선택 및 파괴적 철학을 기반으로 합니다.

대략적으로 ‘NFT 현상’이라고 부를 수 있는 것의 크기와 규모를 이해하려면 먼저 다음 사실을 이해하는 것부터 시작해야 합니다. 2021년 3분기 말까지 NFT는 전 세계적으로 450억 달러를 창출했습니다!

거의 25년 동안 인터넷에 대한 선구적인 디지털 경험과 미술 시장 정보의 수집, 활용 및 전달에서 선도적인 위치를 차지한 Artmarket의 Artprice은 적어도 수천만 유로가 있는, 이 새로운 시장에서 상당 부분을 확보할 수 있는 완벽한 위치에 있습니다. 왜냐하면 고객들이 이미 전 세계의 주요 미술 시장의 참여자이기 때문입니다.

해리스 설문조사에 따르면 미국 성인의 11%가 이미 NFT를 구매했습니다. 그러나 이 작품이 매우 놀라운 것은 그들이 이전에 한 번도 미술 작품을 구입한 적이 없다는 사실입니다. 이 사실은 필연적으로 새로운 수입원을 창출할 새로운 구매자의 거대한 저장소가 있다는 것을 시사하며… 이는 바로 미국에 있습니다.

미국의 저명한 투자 은행인 제프리스의 재무 분석가들은 NFT 시장의 가치가 2022년에 두 배가 될 것으로 예상하고 있으며 2025년에는 최소 800억 달러를 차지할 가능성이 매우 높다고 보고 있습니다. 현재의 비디지털 2차 미술 시장은 연간 약 100억 달러의 가치가 있다는 사실을 기억하는 것이 중요합니다. 따라서 저희는 거대한 새 성장 동력과 세계 미술 시장의 규모와 구조의 완전한 변화를 바라보고 있습니다. (제프리스는 글로벌 금융 시장에서 매우 영향력 있는 브로커이며 미국에서 포춘 선정 1000대 기업에 올랐습니다).

한편, 코인베이스(시총 $730억)의 CEO인 브라이언 암스트롱은 NFT 매출이 암호화폐 거래를 추월할 수 있다고 전망했습니다. 회사의 최근 실적 컨퍼런스 콜에서 그는 회사의 미래가 곧 NFT 시장에 있을 것이라고 말했습니다.

그는 « 저희는 NFT에 대해 매우 흥분하고 있고, 앞으로 암호화폐에 대한 매우 큰 시장이 될 것이며 오늘날 이미 일어나고 있습니다. NFT는 회사의 암호화폐 사업만큼은 아니더라도 그만큼 클 수 있습니다« 고 말했습니다.

대퍼랩스의 파트너십 책임자이자 NBA의 탑 샷 디지털 수집품 프로젝트 리더인 케이티 테드먼은 CNBC와의 인터뷰에서 « NFT는 계속 여기 있을 것입니다.« 라고 말했습니다.

2021년 11월 17일자 로이터 통신 보도에 따르면 다음과 같습니다. ‘가장 큰 NFT 시장인 오픈씨(OpenSea)에서의 올해 10월 매출은 $26억로, 2020년 10월의 $480만에서 크게 증가했습니다’.

이러한 추정치와 의견은 모두 NFT 시장이 불과 몇 달 만에 틈새 시장에서 수십억 달러 규모의 시장으로 발전했음을 시사합니다.

따라서 Artmarket.com은 미술 시장에서 주요 위치를 활용하여 정점을 찍기는커녕 들불처럼 성장하고 있는 NFT 세계/메타버스의 순수 예술 부문에서 핵심적인 주역이 될 계획입니다. 저희는 이 영역이 이제 초기 단계에 있으며 Artmarket의 Artprice가 이미 기하급수적인 성장을 향해 가고 있는 업계에서 기준이 되는 주역 중 하나가 될 것이라고 굳게 믿고 있습니다.

블록체인에서 Artmarket의 Artprice의 선택

Artprice by Artmarket은 이더리움 플랫폼과 기본 암호화폐인 이더리움(ETH)과 함께 운영되며, 이더리움은 시장 가치 기준으로 세계 2위의 암호화폐로, 무엇보다 NFT 디지털 미술 세계가 선호하는 암호화폐입니다. 소더비스, 크리스티스, 본햄스, 필립스를 비롯한 세계 주요 미술품 판매업체는 모두 이더리움을 선택했습니다.

여러 가지 이유, 그 중에서도 가장 중요한 Artmarket의 환경 문제로 인해 Artmarket이 포함된 이더리움은 스테이킹 모드(지분 증명)에서 작동합니다. 이렇게 하면 데이터 마이닝 에너지의 무분별한 소비와 하드웨어에 대한 대규모 투자를 모두 피할 수 있습니다.

티에리 에흐만에 따르면 다음과 같습니다. « 윤리적 가치가 전혀 없는 데이터 마이닝 활동은 채굴자들을 디지털 프롤레타리아로 변화시켰습니다. »

스테이킹을 통해 이더리움을 Artprice 스마트 계약에 고정시킬 수 있습니다. 실제로 Artprice의 주요 부가 가치는 참조 데이터베이스에서 예술가와 예술가의 작품의 진위 여부를 인증하는 것입니다. Artprice는 이미 765,000명의 예술가와 450만 명의 미술품 수집가와 애호가 및 900,000명의 예술 전문가(경매장, 감정사, 기관, 아트 딜러, 패밀리 오피스, 프라이빗 뱅킹 등)를 포함한 540만 명의 회원들이 참여 및 기여하고 있는 공개 커뮤니티를 보유하고 있습니다.

Artprice의 메타버스 커뮤니티는 더 넓은 메타버스에서 경제적이고 선순환적인 생태계와 효과적으로 융합하며, 그 반대의 경우도 마찬가지입니다. 따라서 네트워크 확산에 대한 메트칼프(Metcalfe)의 유명한 법칙을 완벽하게 준수하여 기하급수적으로 성장할 수 있습니다.

동시에 Artprice는 커뮤니티에 ‘지갑’을 할당할 예정입니다.

‘스테이킹’의 발전은 암호화폐 생태계에 대한 진입 장벽을 낮출 것으로 보입니다.

NFT 플랫폼 및 마켓플레이스와의 수많은 교환 후에 Artmarket.com은 오픈씨(Opensea) 및 라리블(Rarible)이라는 두 개의 주요 NFT 운영자와 최상의 관계를 유지하고 있습니다.

Artmarket의 Artprice는 이더리움 2.0 및 지분 증명(POS)로의 전환을 통해 메타버스를 구축하기로 결정했습니다. 이더리움 플랫폼의 개발자는 항상 더 나은 성능을 제공하는 것으로 알려진 지분 증명 메커니즘으로 이동하여 컨센서스 시스템으로 변경하기를 원했습니다.

Artmarket의 Artprice는 활동의 생태학적 영향에 매우 민감합니다. 작업 증명 암호화폐 채굴의 에너지 소비량을 고려하면 이러한 결정은 생태학적으로도 책임이 있습니다.

지분 증명을 통해 채굴자는 ‘유효성 검증 노드’라고 불리는 플레이어로 대체됩니다. 이 메커니즘에서 후자는 블록체인에 트랜잭션을 추가하고 검증할 수 있도록 주소에 32 ETH를 예치하거나 스테이킹해야 합니다.

Artprice는 특히 2016년부터 지분 증명 컨센서스 메커니즘의 장점을 높이 평가해 온 이더리움 네트워크의 공동 설립자인 비탈릭 부테린(Vitalik Buterin)의 글에서 영감을 받았습니다. 이더리움의 2.0으로의 전환은 그의 프로젝트의 완성도를 확실히 확인시켜주었습니다.

비탈릭 부테린의 철학 및 정치적 비전은 인터넷의 선구자인 티에리 에흐만이 1987년부터 Artprice와 서버 그룹(Groupe Serveur)을 통해 추구해온 가치와 일치합니다(타임 매거진 참조).

Artprice의 IT 커뮤니티, 회원들 및 전 세계의 암호화폐 애호가들은 지분 증명 플랫폼의 업그레이드를 통해 2022년 초 이더리움 2.0(« 세레니티« 라고도 함)으로 전환한다는 소식에 매우 기뻐하고 있습니다.

티에리 에흐만(Artmarket.com의 CEO, Artprice의 설립자 및 서버 그룹의 CEO로, 1987년부터 Artprice의 우선 주주인 « 인터넷 선구자 »)에 따르면

« 역사적으로 NFT가 예술계에 미친 영향에 가장 가까운 것은 우리가 지금 ‘르네상스’라고 부르는 패러다임의 변화였습니다. 그 이후로 예술가들의 손에 그렇게 큰 권력이 넘어간 적은 없었습니다. 왜냐하면 예술가들이 작품의 판본을 인쇄할 수 있었던 것은 요하네스 구텐베르크의 인쇄기 덕분이었기 때문입니다.

르네상스는 예술가들이 자신의 공방과 공장에서 수입을 창출하고 생산을 독립적으로 통제할 수 있도록 했습니다. 오늘날 NFT를 통해 우리는 유사한 패러다임 변화를 경험하고 있습니다. »라고 합니다.

Artmarket의 Artprice 메타버스 매니페스토

Artprice의 메타버스는 예술 창작 경제에 대한 25년 간의 전문 지식을 바탕으로 예술 창작의 출현과 해방을 가능하게 할 것입니다. 예술가들이 ‘팹랩(FabLabs)’에서 자유로워지기 위해서는 장애물과 기술적 장벽을 극복해야 합니다.

메타버스는 2D나 3D 세계가 아닙니다. 불가능했던 경험이 가능해지는 새로운 우주를 향한 물리적 세계의 비물질화에 관한 것입니다.

21세기 계몽주의 기간 동안 예술 세계는 가상 창작과 가상(그러나 매우 실제적인) 경제를 중심으로 재편되어 예술가들이 자신을 표현할 수 있는 진정으로 무한한 공간의 출현을 가능하게 할 것입니다.

메타버스의 가상 세계에서도 특이성은 가장 소중한 특성 중 하나로 남을 것입니다.

Artmarket의 Artprice 메타버스는 수집가와 예술가가 완전히 새로운 내러티브를 생성할 예술 커뮤니티 내에서 창의적인 상호 작용의 출현을 가능하게 할 것입니다. 메타버스는 예술가들이 추구하는 상호작용을 정확하게 구현하는 사회적 ‘몰입’의 기반이 되어 미술 시장을 메타버스로 더 깊숙이 밀어넣을 것입니다.

우리는 사실상 예술가와 수집가를 포함한 미술 시장의 모든 행위자들이 ‘커뮤니티 콘텐츠’를 공유하는 광대한 « 밀고 당기는 » 생태계에 대해 이야기하고 있습니다. 예술가들은 메타버스의 중심에 서게 될 것입니다. 예술가들의 ‘팹랩’은 메타버스를 통해 커뮤니티에 실시간으로 공개될 것입니다.

Artprice 메타버스 내에서의 경험은 예술가들이 필요한 모든 기술에 쉽고 저렴하게 접근하여 선순환 경제를 창출함으로써 점점 더 몰입하게 될 것입니다.

Artprice 메타버스는 무엇보다도 현재 형식으로는 심각한 탄소 영향을 미치는 아트 페어 및 전시회와 같은 미술 시장 행사를 지원할 것입니다. 따라서 이러한 행사는 마침내 예술가들, 갤러리 소유자들, 수집가들 및 애호가들로 구성된 커뮤니티와 함께 지속적으로 존재함으로써 메타버스에서 다시 태어날 것입니다.

Artprice의 클린룸과 대륙에 걸친 데이터 클라우드의 구성은 물리적 세계와 메타버스 간의 투과성을 보장하는 하이브리드(즉, 실제/가상) 컴퓨팅을 가능하게 하는 공간 컴퓨팅의 문제입니다.

Artprice의 메타버스 본사는 혼돈의 집을 관리하는 오르간 현대 미술관 깊숙한 곳에 있습니다 유럽 그룹 TT Géomètres 전문가들과 3D Lab은 티에리 에흐만의 이러한 단일 건축물 및 토털 아트워크의 메타버스를 만들기 위해 2020년부터 2021년까지 7,555m² 이상의 건물, 별채 및 외벽에 통합된 6,300개의 예술 작품을 완전히 디지털화했으며, 이에 따라 1.2테라바이트의 디지털화된 유산을 생성했습니다.

현재 개발 중인 Artprice 메타버스는 창작의 실제 걸림돌인 고정 IT를 잊어버릴 수 있도록 설계되고 있습니다.

Artmarket의 Artprice의 연구개발은 사람들이 증강 현실 및 가상 현실에 접근할 수 있도록 하는 비간섭 인터페이스에 대해 5년 동안 작업해오고 있습니다.

확실히 5G 모바일 네트워크는 극소수의 주파수 스펙트럼을 통해 메타버스를 향한 개방과 ‘사물 인터넷’에 대한 연결을 허용합니다.

현실 세계에는 수백만 개의 은하로 구성된 우주가 있고, 차세대 인터넷인 가상 세계에는 수백만 개의 메타버스로 구성된 다중우주가 있을 것입니다.

그러나 미술사와 가장 관련 있는 메타버스는 다음 예술가와 예술 커뮤니티에 가장 관련 있는 메타버스입니다. Artprice 메타버스… 

Artprice 메타버스 매니페스토는 계몽주의의 새로운 시대로의 아주 간단한 초대장입니다.

#ArtMarket 제공 #ARTPRICE $ PRC #NFT #크립토아트 #메타버스 #디지털아트 #NFT #마켓플레이스 #BTC #ETH #오픈씨NFT #라리블NFT #이더리움 #매니페스토

이미지:

[https://imgpublic.artprice.com/img/wp/sites/11/2021/11/image1-artprice-metaverse-thierry-ehrmann-organ-museum-800.jpg]

[https://www.flickr.com/photos/home_of_chaos/50015697223]

[https://imgpublic.artprice.com/img/wp/sites/11/2021/11/image2-artprice-NFT-bill.jpg]

저작권 1987-2021 티에리 에흐만 www.artprice.com www.artmarket.com

Artmarket 소개 :

Artmarket.com 은 파리증권거래소(Euronext Paris)의 유로리스트(Eurolist ), SRD, 롱 전용 SRD 및 유로클리어(Euroclear): 7478 – 블룸버그(Bloomberg): PRC – 로이터(Reuters): ARTF에 상장되어 있습니다.

비디오에서 Artmarket과 Artprice 부서를 확인하십시오. www.artprice.com/video

Artmarket 및 Artprice 부서는 CEO인 티에리 에흐만이 1997년에 설립하였습니다. Artmarket 및 Artprice 부서는 1987년에 설립된 서버 그룹이 관리합니다.

Who’s who ©에서 인증받은 전기 보기:
https://imgpublic.artprice.com/img/wp/sites/11/2021/06/Biographie_nov2020_WhosWho_thierryEhrmann.pdf

Artmarket은 다른 조각품 중 Artprice 부서를 가진 글로벌 주역으로, 770,000명 이상의 예술가를 대상으로 3천만 개 이상의 인덱스 및 경매 결과를 포함하는 데이터뱅크의 역사적 및 현대적 미술 시장 정보를 축적, 관리, 활용하는데 있어 세계적인 선두주자입니다.

Artmarket의 Artprice는 미술 시장에 대한 정보에 있어 글로벌 선두주자로서 글로벌 표준 마켓플레이스를 통해 세계 최고의 Fine Art NFT 플랫폼이 되겠다는 포부를 세웠습니다.

Artprice Images®를 통해 세계에서 가장 큰 미술 시장 이미지 뱅크, 즉 1700년부터 현재까지 저희 미술사가들이 평가한, 자그마치 1억 8천만 개에 달하는 디지털 사진 이미지 또는 조각된 복제품에 무제한으로 접근할 수 있습니다.

Artprice 부서가 있는 Artmarket은 6300개의 경매장에서 영구적으로 데이터를 축적하고 주요 언론 및 미디어 대행사(7,200개 간행물)를 위한 주요 미술 시장 정보를 생성합니다. 540만 명(‘회원 로그인’+소셜 미디어)의 사용자는 고정 또는 입찰 가격으로 미술품을 구매 및 판매하기 위해 다른 회원들이 오늘날 최고의 글로벌 표준 마켓플레이스®에 게시한 광고에 접근할 수 있습니다(경매는 프랑스 상법 L 321.3조 2항 및 3항에 의해 규제됨).

Artprice 부서가 있는 Artmarket은 이는 미술 시장에서 글로벌 주역으로서의 입지를 공고히 하기 위한 프로젝트를 지원하는 공공투자은행(BPI)으로부터 국가 라벨 « 혁신적인 기업 »상을 수상(3년이라는 새 기간 동안 2018년 11월 두 번째)했습니다.

Artmarket.com이 작성한 Artprice의 2020/21 현대 미술 시장 보고서:
https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2021

2021년 3월에 발표된, Artmarket이 작성한 Artprice의 2020 글로벌 미술 시장 보고서:
https://www.artprice.com/artprice-reports/the-art-market-in-2020

Artmarket이 Artprice 부서와 함께 공표한 보도 자료의 색인:
serveur.serveur.com/press_release/pressreleaseen.htm

Facebook과 Twitter에서 Artmarket 및 Artprice를 통해 실시간으로 모든 미술 시장 뉴스를 팔로우하십시오:

www.facebook.com/artpricedotcom/ (팔로워 540만명 이상)

twitter.com/artmarketdotcom

twitter.com/artpricedotcom

Artmarket 및 아트프라이스 부서의 연금술 및 우주에 대해 알아보십시오 https://www.artprice.com/video 유명한 오르간 현대 미술 박물관(Organe Contemporary Art Museum) « 혼돈의 집 »에 본부를 두고 있습니다(뉴욕 타임스에 따름): https://issuu.com/demeureduchaos/docs/demeureduchaos-abodeofchaos-opus-ix-1999-2013

L’Obs – 미래 박물관: https://youtu.be/29LXBPJrs-o

www.facebook.com/la.demeure.du.chaos.theabodeofchaos999

(팔로워 440만 명)

Logo – https://mma.prnewswire.com/media/1009603/Art_Market_logo.jpg

Artmarket.com 및 Artprice 부서에 연락하십시오 – 연락처: ir@artmarket.com

Artmarket.com: perfectly positioned to generate enormous revenue from its NFT Marketplace on Artprice-nft.com

2021/11/17 Commentaires fermés

According to thierry Ehrmann, Artmarket.com’s CEO and founder of Artprice and Server group, ‘since 1987 our group has developed an unparalleled legitimacy in knowledge of the art market but also in knowledge of its cyber dimensions. Indeed, faithful to our primary raison d’être, we have made a major contribution to the development of the art market’s digital sphere, notably by dematerializing and elucidating this historically opaque market.’

Artprice-nft.com

Artprice by Artmarket’s Metaverse will be an immersive destination for collectors and digital art enthusiasts based on a rigorous selection of NFTs and offering the necessary experience and guarantees for this type of ecosystem, where Artprice and its reference shareholder, Groupe Serveur, have been clairvoyant pioneers of the internet since 1987. Few groups have been cited in Time Magazine as such.

For almost a year now Artprice by Artmarket has been the subject of numerous spontaneous offers for partnerships, mergers, acquisitions (partial or complete) in the light of the emerging and considerable market for Non-Fungible Tokens. NFTs (as they are known) are collectible digital products stored on a blockchain.

Naturally, the NFT merchants are seeking additional credibility and a value-creation logic specific to the online art market. And, of course, they want to find artists already identified by their market performance as well as credible and financially solid buyers and sellers.

In short, these players would benefit enormously from the backing and support of Artprice as a World Leader in Art Market Information with its 5.4 million members and its Marketplace created in 2005 offering more than 72,000 works online in real time and its database covering 765,000 artists. For the fierce competitors in the NFT market, Artprice by Artmarket represents the ideal guarantor of global success.

In order to meet the urgent and vital needs of NFT competitors and other art market players wishing to participate in the digital art market, Artprice by Artmarket is preparing – as announced in its latest financial press releases – its own NFT platform integrating all of the processes and industrial services. Its domain names are already registered as artprice-nft.com and artmarket-nft.com

In the future, Artprice’s Standardized Marketplace could generate an income in the tens of millions of euros justifying a capitalization in line with those of recently listed blockchain players like Crypto Blockchain Industry (CBI). This income is based, among other things, on the various recurring payables (in physical currencies) that are inherent to the industrial processes underlying the Blockchain/NFT economy.

As we have all seen, there has been a veritable flood of media attention on the NFT phenomenon and all of the art market’s major players have rushed to incorporate NFTs, at any cost, into their economic model, including Christie’s and Sotheby’s, the latter having announced the creation of its NFT platform, Sotheby’s Metaverse, on 14 October 2021.

With the support of its various specialized departments, Artprice by Artmarket has conducted in-depth studies and analyses into the NFT phenomenon and is consequently acutely aware that the field is substantially more complex than it appears.

In the first place, you need Blockchain know-how, an area that Artprice has been working on for several years and which has earned it ‘Innovative Company’ label twice, awarded by France’s Public Investment Bank (BPI).

In terms of infrastructure, any potential player in this field would need clean rooms and its entire Operating System in proprietary mode. Then they would need to have excellent knowledge of the history and management of crypto-currencies and of the Wallet system to avoid traps. Lastly, they would need expertise in art history specialised in the origins of the Internet and cyberculture, in order to identify what constitutes digital fine art. These different types of knowledge require skills that are both vertical and transversal.

In its various projections and models, Artprice by Artmarket has examined the veritable profit centers within the entire NFT process / knowledge chain. It has notably focused on the functional and economic reality of operating a platform with primary NFT issuers, and the buy and sell side of NFTs on the secondary market. Great efforts were made to identify and distinguish between the various recurring revenue items and those which are subject to the vagaries of the market, and it has also been revealed that from an accounting stance, the recurring and income generating activities are primarily accessible in dollars or euros.

What transpires very clearly indeed is that the main players in NFTs are above all major players in the crypto-currencies field. To ignore this filiation would be a major error in the comprehension of this ecosystem, which few people really master.

Artmarket.com has therefore carefully examined the main sales that have contributed to the notoriety of NFTs and it finds the same players in both cryptocurrencies and NFTs, with the latter representing a way out of cryptocurrency via a non-fungible asset. This analysis is essential because it highlights the strengths and weaknesses of the early players in the crypto universe.

The sale of the first digital work at Christie’s had the effect of an earthquake by propelling BEEPLE (alias Mike Winkelmann) – unknown to anyone outside the digital art sphere – to third place on the auction results podium for living artists, behind Jeff Koons and David Hockney. After the record-breaking sale of Everydays: The first 5000 Days, a digital file in JPEG format that fetched the staggering price of $69.3 million on 11 March 2021, digital art must be considered a creative current of tremendous value.

The purpose of this $69.3 million purchase of Everydays: The first 5000 Days by two Indian businessmen was therefore to claim a certain ‘equivalence’ between all countries in the world and to show that buying art is not a field reserved to Western collectors. This parity is ‘enabled’ by the emergence of cryptocurrencies, a logical posture for these two men who made their fortunes with the purchase of Ethereum, one of the hundreds of cryptocurrencies in circulation around the world.

Another branch of Artprice’s research into the NFT market has focused on the legal dimension, and it has concluded that the field raises a large number of legal questions which only a few rare players (like Artprice) are equipped to answer.

One example concerns intellectual property law: everyone agrees that the various transactions involving an NFT artwork clearly record the deeds of ownership; but what about the copyright, patrimonial rights, moral rights, reproduction rights, etc. relating to the primary issue of an NFT. Artprice, through its expertise and experience in this field can respond to this void by creating the neceassary bridge between the NFT and the Physical Art Market.

At the ADAGP (French society for the collection and distribution of copyright in the field of graphic and plastic arts), where Artprice by Artmarket is one of the main contributors, NFTs have been the subject of substantial level-headed scrutiny. According to its legal director Thierry Maillard, “It is important to legally secure the link between the NFT and the artist and his/her beneficiaries, to structure the practices and to provide for trusted third parties”. These observations all lead very clearly towards Artprice because Artprice already has the requisite expertise, infrastructure and know-how to handle these delicate issues.

Likewise, according to Blanche Sousi, Emeritus Professor at the University of Lyon 3, Holder of the Jean Monnet Chair in European Banking and Monetary Law, Honorary Director of the Institute of Law and Business Economics and member of the Scientific Committee of the Institut Art et Droit of which Artprice is a member, the issuance of a primary NFT must comply with the provisions of the Monetary and Financial Code (digital assets in French law or Crypto assets in European law) .

Lastly, concerning the birth of a new art movement, we endorse the analysis of art historian Michael Maizels who has said: ‘I am an art historian who has carried out extensive research on the evolution of the market for ‘recent art’. And I can tell you that something generational is now happening with NFTs.’

At this stage in the game, a solid knowledge is required of cyber-culture and its interaction with the art market for almost forty years, all this, in order to be able to define the emergence of new Contemporary artists whose NFT works appeal to new collectors.

Notwithstanding the media hype surrounding NFTs, it is important to identify the different areas of knowledge (which can only be acquired over time) necessary for an effective and profitable activity in this area. After which, an NFT Marketplace can be founded and capture the recurring and highly profitable revenues that this market will generate in physical currency (i.e. Euros / Dollars) in order to hedge against a crypto-exchange risk and a tax system that is clearly ‘a work in progress’.

So, on the demand side, Artprice’s global clientele will be ready to take the plunge as soon as they feel secure about their transactions, and on the supply side, Artprice is confident that it can attract artists for the creation of their NFTs on the primary issue market.

On the broader art market, it is now clear that all the major operators feel an imperative need to base their credibility on macro and microeconomic data with a sharp analysis of the market. This type of credibility is precisely what Artprice by Artmarket can bring to them in its role as a Global Leader in Art Market Information for nearly 25 years – via reports, indices, graphs and data (used by more than 7,200 print and digital media).

Confidence in NFTs can only come from a player that has been monitoring and mastering the art market’s economy with its exponential development since 2000 (turnover up 2,700% in the Contemporary art field).

Artprice by Artmarket considers that digital art undoubtedly represents a paradigm shift. However it also considers that only a few rare players will be able to offer an integrated and coherent industrial chain of processes and services with the right legal environments, the right economic and financial analysis, and, of course, the right kind of customer pedagogy which is absolutely essential to creating confidence in this Metaverse (future version of the Internet initiated by the vision of Neal Stephenson in 1992 in his post-apocalyptic cyberpunk universe of ‘Snow crash’).

Artprice by Artmarket can elucidate the real protagonists of cyber culture who were immersed in the digital world long before anyone else. Artprice and Groupe Serveur, its major shareholder, envisaged the birth of this new world in 1987.

Artprice by Artmarket’s head office is the world-renowned Organe Museum of Contemporary Art that manages the Demeure du Chaos / Abode of Chaos (dixit the NYT) which is cited in art history literature as one of the most important references of the post-apocalyptic cyberpunk universe (subject of over 3,600 media reports in 21 years). The Museum of Contemporary Art, Demeure du Chaos / Abode of Chaos plans to issue thousands of NFTs by its sole author, thierry Ehrmann, an artist/sculptor and Founder of Artprice and Server group (link to biography in Who’s Who France).

Biographie_nov2020_WhosWho_thierryEhrmann.pdf

The paradigm shift that the arrival of NFTs represents suggests it will take several decades to define which bodies / authorities / institutions / experts will emerge as being authoritative with respect to digital art creations and the definition of the cognitive value of digital artworks. Artprice by Artmarket is among the few rare players who stand positioned to engage in such a commitment.

Artprice by Artmarket will select its artists and NFT works from its Marketplace to convey its vision of digital art.

According to research conducted by Artprice by Artmarket, the most popular NFT platforms for artists are OpenSea, SuperRare, Nifty Gateway, Rarible, Known Origin, Hic et Nunc (the least energy-consuming).

Also read Contemporary art auctions boosted by NFTs (Artprice report) (AFP) 2021

Online sales are now an integral part of auction house strategies. Christie’s, Sotheby’s and Phillips have dematerialized just over half of their operations. But it’s not just the majors ones; the online proportion for the world’s auction houses taken as a whole is currently 41% for 2021. A new step has clearly been taken with the thunderous arrival of NFTs.

According to Artprice’s Contemporary Art Market Annual Report published last Monday, Contemporary art auctions reached a historic turnover level of $2.7 billion in the 2020-2021 period (end-June to beginning-July), boosted by NFTs and online auctions.

For Artmarket.com, all options are on the table, including the other hypothesis: an immediate partnership with a major NFT platform. This would generate huge saving in time and the economies of scale would therefore produce an immediate financial gain with a rapid boost in net income that would be added to a distinctly profitable balance sheet, and would therefore will be a significant growth driver.

The Artprice by Artmarket® NFT marketplace benefits notably from the domain names ‘Artmarket.com, Artmarket.net, Artmarket.org’ which naturally capture searches using the terms Art Market ( English being the language of the Art Market). With a simple search ‘art market’, the top 12 unsponsored natural results out of 3.33 billion results on Google.com lead to Artprice by Artmarket’s databases.

Finally, it is essential to remember that with Artprice and Cision (PR Newswire), Artprice by Artmarket’s Marketplace will benefit from the first press agency dedicated to Art Market information: Artpress agency® is a press agency created in 1999 and 100% owned by Artprice, the World Leader in Art Market Information.

For 120 years Cision has gradually built a global network for the dissemination of information / news recognized by more than 100,000 well-known clients on financial markets.

Cision is the world leader in PR & Influence software and media research.

With its database of 1.6 million journalists and media organisations, Cision delivers qualitative information concerning the daily information generated by Artprice by Artmarket to a target population 450 million through its press agency Artpress Agency in the native language of each country on all five continents.

The agreement is the direct result of a long relationship spanning two decades between Artprice and Cision, two powerful leaders in their respective markets.

Images: [https://imgpublic.artprice.com/img/wp/sites/11/2021/11/NFT-bill.jpg]

Copyright 1987-2021 thierry Ehrmann www.artprice.comwww.artmarket.com

About Artmarket:

Artprice’s historic EGM validates Artmarket.com in order to embrace the all-digital age as a global player in the Art Market

2019/10/01 Commentaires fermés

The historic EGM meeting on 30 September 2019 has fully validated our strategy of changing our name and extending our corporate purpose from Artprice.com to Artmarket.com and all of the relevant statute amendments. All of the shareholders fully understood and voted to approve our strategy. thierry Ehrmann, Founder/CEO of Artprice, along with all his colleagues, wishes to thank them for their confidence and support.

To be called ArtMarket.com on the stock market (the mnemonic code is still PRC) represents a superb intangible asset adding enormous value to the company. Indeed, apart from the intrinsic value of the DNS, the new name will propel our group into the smallest interstices of the tentacular Internet and search engines all over the world.

Difficult to talk about the Art Market without using the term “Art Market”… What could be more unifying? We have become unavoidable? For us the two words represent Internet’s Holy Grail… opening doors in a rational and scientific way to almost all the information on the Art Market.

Calling ourselves ArtMarket.com is the instant equivalent of a major global campaign of communication and promotion costing several tens of millions of euros… and there can be no doubt about its positive impact on the stock market, especially as we expecting a record result this year.

In 2019, Artprice and Cision (PRNewswire) are renewing their framework agreement with Artmarket.com so that we can send our proprietary content in real time to 5 continents in 18 languages ??reaching 2.1 billion individuals (notary registered 2019 data, Maître Pons). This unparalleled alliance between two world leaders in the Art and the Wire markets – after 20 years of collaboration – has effectively created the largest press agency on the Art Market.

As we accelerate towards the all-digital era, Artmarket.com allows Artprice.com to accompany the historical paradigm shift that dematerialization represents in order to become a global player in the Art Market.

We are also very proud to represent “French tech” (with the renewal of our state-sponsored innovative company label [BPI] for another 3 years) in a digital world where the global leaders are mostly Anglo-Saxon.

In June 2019, Artprice economists identified 37 companies worldwide whose corporate purpose was similar to ours and who raised more than $50 million since 2000. 100% of these companies have filed for bankruptcy or have ceased operating due to a lack of revenue. This means that Artmarket.com is now operating in a massive open field with colossal barriers to entry, both in terms of the capital required and the time needed to set up this kind of business.

Patrick Drahi’s recent acquisition of Sotheby’s is a starck reminder that the Art Market is not immune to digitization and dematerialization. Drahi is a Networks and Telecoms man.

Nearly 20 years ago, Artprice was far ahead of its time and it still is. While many doubted the Art Market would ever change and adapt to new technologies, we were convinced it would. Our position as World Leader in Art Market Information is the direct result of this firm conviction.

While some continued secretly recording sales result (thereby perpetuating the Art Market’s opacity and its restriction to a caste of insiders), Artprice’s historians and documentalists digitized and annotated hundreds of millions of historical documents, allocating IDs to every artist and every work. This massively time-consuming investment generated the largest existing databases which we made available to everyone on the Art Market so that artworks could be bought and sold under optimal conditions and people could educate themselves about the art market.

Over two decades, Artprice has seen its standardization accepted by the Art Market and it is now considered a vital and authoritative reference by all players in this market, whatever their size and wherever they are located.

It should be noted that Artprice has acquired a number of highly valuable scientific and historical documents around the world and that these assets will be fully exploited by Artmarket.com thanks to the extension of its corporate purpose and the amendments to its Statutes that have just been approved.

Our headstart has allowed us to win…

Our work, our ideas and our convictions have helped to make the Art Market more understandable and more democratic. The knowledge previously guarded by a small number of insiders is now accessible to all of our clients. Meanwhile, the volume of secondary market transactions has rocketed, massively increasing the Art Market’s liquidity. As we have repeatedly explained in our communications over recent years, it is now an efficient market generating returns comparable to financial markets.

Since 2000, the Art Market’s global secondary market turnover has risen 383% and its return on investment, according to our Artprice100® index, was 16% in the first half of 2019 compared with interest rates close to zero on the money markets.

As we predicted, the Internet has of course exploded exponentially. Whereas Internet consultation used to be only possible from desktop or home computers, now, with the mobile Internet reaching 5.4 billion smartphones in the world, one can access the same services anywhere: from galleries, auction rooms, art dealers, valuers, art fairs, museums, etc. Today 4G, Wi-Fi via optical fiber and now ultra high speed 5G networks make it even easier and faster for Art Market and its customers around the world.

According to our calculations, with our recent strategic developments – including the name change to Artmarket – we are currently at less than 10% of our economic potential with a horizon of 5 years.

In short, the Art Market cannot indefinitely ignore the digital era and the Internet. Compared to many other sectors in the economy, the Art Market is operating with a unique lag of nearly 30 years… and that lag will inevitably translate into Artmarket’s future prosperity.

The future is in Artificial Intelligence, Big Data, Augmented and/or Virtual Reality, 8K, and Blockchain…

Artmarket.com has no intention of lagging behind these technologies. An article published in Les Echos (24.09.2019) gives a superb indication of where we are heading: “Artificial Intelligence enters the Museum World” (L’intelligence artificielle entre au Musée).

Artmarket.com’s role as the spearhead of the Art Market’s technological future is 100% legitimate considering that its head offices are located at the heart of the Organe Contemporary Art Museum (which manages the open-to-the-public La Demeure du Chaos (Abode of Chaos dixit the NY Times), ranked the top Contemporary Art Museum in France by Google reviews (notary registered ranking by Maître Pons on 4 September 2019).

During the recent European Heritage Days (weekend of 21 and 22 September 2019), The Organe Contemporary Art Museum (effectively Artprice/Artmarket’s HQ) hosted 18,000 visitors thanks to our in-depth knowledge and use of social networks and new technologies. As a highly popular museum, we regularly experiment, in situ, with proprietary high-tech solutions to help our visitors discover the 9000 m² of our site containing 6,300 works. We have therefore demonstrated our know-how in the Museum Industry field, particularly on 360° vision in Pro2 8K by the global leader Insta360, for whom Artmarket’s technical department has been a ‘beta tester’ and a Google referenced pioneer for many years.

Virtual tours of our headquarters, including via Facebook VR Oculus headsets, whose number we can already count on media such as Google, Facebook, Flickr and Instagram (with our 9 million followers), are increasingly popular around the world (there have been 8,100 media reports about the Abode of Chaos / Organe Contemporary Art Museum). All of this exposure is hugely positive for the growth of Artmarket.com and represents a massive and permanent advertising campaign.

Based on Google and Flickr counting of single virtual visitors in 360° 4K and 8k in the Contemporary Art segment, our head office, the Organe Contemporary Art Museum, is no. 2 in France with 4.5 million visitors behind the Center Georges Pompidou, followed closely by the Louis Vuitton Foundation.

Very soon Artprice Images® – which currently gives subscribers unlimited access to the world’s largest Art Market database of 180 million photographic or etched images of artworks from 1700 to the present day (each commented by our historians) – will be accessible in augmented reality by Artmarket. Sotheby’s Institute of Art, one of our loyal customers, will be the first to test this augmented reality service for its students.

High-tech 3D scanning studios are being set up for our clients, including the 6,300 partner auction houses. The humble 2D photo is destined to disappear making way for the visualisation of works in true AI generated 3D. Thousands of young photographers are already discovering this technology which represents a revolution in their profession.

Henceforward, when it comes to ‘industrial’ photography (including sales catalogues), artificial intelligence is clearly bound to replace the photographer. Anecdotally, the iPhone 11 Pro Max® instantly processes a trillion operations per second (source Apple USA) for each photo with its A13 chip.

Our knowledge and awareness of developments within the Images market has a long history. From 1997 to 2006 the CEO of our direct subsidiary Editing Server® was also President of SAPHIR which is a member of the French Federation of Press Agencies (FFAP). He was a member of the Joint Committee of Press Agencies Publications (CPPAP) and of the Professional Commission of Independent Photographers of the Association for the Management of the Social Security of Authors (AGESSA).

Our digital culture dates back to 1987 with Groupe Server, a pioneer of the Internet in Europe (see TIME Magazine 2001). We therefore have a massive technological lead that will inevitably accompany the Art Market (throughout the world) over the coming years. Our role as a global player in the Art Market is a logical result of our unique capability to format metadata flows with our proprietary algorithms so that they become increasingly intelligent, and to adapt to technological know-how in perpetual evolution… an evolution that has been a fatal obstacle for our competitors who were unaware of the need (or unable) to change quickly.

This natural and ruthless selection, over several decades, has today posited Artmarket.com as the global player in the Art Market, and its brand Artprice, as the world leader in Art Market information.

This position of global player in the Art Market has been built with more than 20 years of hard work and passion. This historic EGM has validated and endorsed the tremendous achievements of the Group and it has allowed us to change its economic scope completely.

For all other questions we invite you to read the press release of 9 September 2019 Actusnews

https://www.actusnews.com/fr/ARTPRICE/cp/2019/09/09/at-its-egm-on-30-september-2019-artprice_com-will-switch-name-to-artmarket_com-to-become-the-global-reference-in-the-art-market

Copyright ©1987-2019 thierry Ehrmann – www.artprice.com – www.artmarket.com

About Artprice:

Artprice is listed on the Eurolist by Euronext Paris, SRD long only and Euroclear: 7478 – Bloomberg: PRC – Reuters: ARTF.

Founded by thierry Ehrmann (see Who’s who certified Biography ) (c) https://imgpublic.artprice.com/img/wp/sites/11/2019/03/2019-bio-whoswho-thierry-ehrmann.pdf).

Dicover Artprice in video: https://www.artprice.com/video

Artprice is the global leader in art price and art index databanks. It has over 30 million indices and auction results covering more than 700,000 artists. Artprice Images® gives unlimited access to the largest Art Market resource in the world: a library of 126 million images or prints of artworks from the year 1700 to the present day, along with comments by Artprice’s art historians.

Artprice permanently enriches its databanks with information from 6,300 auctioneers and it publishes a constant flow of art market trends for the world’s principal news agencies and approximately 7,200 international press publications.

For its 4,500,000 members, Artprice gives access to the world’s leading Standardised Marketplace for buying and selling art. Artprice is preparing its blockchain for the Art Market. It is BPI-labelled (scientific national French label) Artprice’s Global Art Market Annual Report for 2018 published last March 2019: https://www.artprice.com/artprice-reports/the-art-market-in-2018

Artprice is associated with Artron Group the Chinese leader in the Art Market, its solid institutional partner.

Artprice’s Contemporary Art Market Annual Report for 2018 – free access at:
https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2018

Artprice’s press releases:

http://serveur.serveur.com/Press_Release/pressreleaseen.htm

https://twitter.com/artpricedotcom

Artmarket News:

https://twitter.com/artpricedotcom & https://twitter.com/artmarketdotcom

https://www.facebook.com/artpricedotcom 4,4 million subscribers

http://artmarketinsight.wordpress.com/

Discover the Alchemy and the universe of Artprice http://web.artprice.com/video, which headquarters are the famous Museum of Contemporary Art, the Abode of Chaos: https://issuu.com/demeureduchaos/docs/demeureduchaos-abodeofchaos-opus-ix-1999-2013

https://vimeo.com/124643720

The Contemporary Art Museum The Abode of Chaos

https://www.facebook.com/la.demeure.du.chaos.theabodeofchaos999 3.9 million subscribers

Contact: ir@artprice.com