Artprice : complément d’information sur le Marché de l’OTC suite à l’AG du 30 juin 2017 à 18h.

Suite à de nombreuses interrogations très pertinentes d’actionnaires lors de l’A.G. concernant le communiqué du 30 juin 2017:

« Artprice s’approprie le Marché de l’Art OTC qui génère un volume de transactions de 7 à 9 fois supérieur à celui du Marché de l’Art traditionnel »

Disponible sur : Actusnews https://www.actusnews.com/fr/ARTPRICE/cp/2017/06/30/artprice-s_approprie-le-marche-de-l_art-otc-qui-genere-un-volume-de-transactions-de-7-a-9-fois-superieur-a-celui-du-marche-de

Artprice tient à préciser à ses actionnaires et au Marché qu’Artprice conserve bien évidemment tout le segment du Marché de l’Art traditionnel et continuera à le développer plus que jamais en activant sa Place de Marché Normalisée à prix fixe et aux enchères, et y ajoutera donc une nouvelle place de Marché de l’Art OTC ® générateur de dizaines de millions de transactions par an, tel que décrit dans le communiqué ci-dessus, dans le but de couvrir tout le spectre du Marché de l’Art. (Marché de l’art Traditionnel plus le Marché OTC).

Grâce à ce gigantesque relais de croissance créateur de valeur, Artprice Leader du Marché de l’Art mondial rajoute à son marché historique un nouveau marché de masse dans le monde avec le Marché OTC et sa Blockchain.

Toutes les résolutions de l’AG du 30 juin 2017 ont été adoptées et feront l’objet cette semaine d’une communication réglementée. Une grande richesse des débats a animé cette AG avec ses fidèles et nouveaux actionnaires.

www.artprice.com

Copyright thierry Ehrmann 1987/2017

A propos d’Artprice :

Artprice est cotée sur Eurolist by Euronext Paris, SRD long only et Euroclear : 7478 – Bloomberg : PRC – Reuters : ARTF.

Artprice est le Leader mondial des banques de données sur la cotation et les indices de l’Art avec plus de 30 millions d’indices et résultats de ventes couvrant plus de 657 000 Artistes. Artprice Images® permet un accès illimité au plus grand fonds du Marché de l’Art au monde, bibliothèque constituée de 126 millions d’images ou gravures d’œuvres d’Art de 1700 à nos jours commentées par ses historiens.

Artprice enrichit en permanence ses banques de données en provenance de 6300 Maisons de Ventes et publie en continu les tendances du Marché de l’Art pour les principales agences et 7200 titres de presse dans le monde. Artprice met à la disposition de ses 4,5 millions de membres (members log in), les annonces déposées par ses Membres, qui constituent désormais la première Place de Marché Normalisée® mondiale pour acheter et vendre des œuvres d’Art à prix fixe ou aux enchères (enchères réglementées par les alinéas 2 et 3 de l’article L 321.3 du code du commerce). Artprice labellisée par le BPI développe son projet de Blockchain sur le Marché de l’Art.

Le Rapport Annuel Artprice du Marché de l’Art mondial 2016 publié en mars 2017 : https://fr.artprice.com/artprice-reports/le-marche-de-lart-en-2016

Le rapport du Marché de l’Art Contemporain 2016 d’Artprice est accessible gratuitement à l’adresse:https://fr.artprice.com/artprice-reports/le-marche-de-lart-contemporain-2016

Communiqué d’ARTE : A la tête de La Demeure du Chaos/ Abode of Chaos dixit « The New York Times », thierry Ehrmann, artiste et fondateur d’Artprice dévoile en 9 épisodes les rouages des plus gros esclandres de l’art contemporain, qui garantissent à coup sûr des expositions blockbusters http://creative.arte.tv/fr/artscandale

Sommaire des communiqués d’Artprice :http://serveur.serveur.com/press_release/pressreleasefr.htm et https://twitter.com/artpricedotcom

Suivre en temps réel toute l’actualité du Marché de l’Art avec Artprice sur Facebook, Google+ et principalement sur Twitter: https://twitter.com/artpricedotcom & https://twitter.com/artmarketdotcom

https://www.facebook.com/artpricedotcom & https://plus.google.com/+Artpricedotcom/posts

http://artmarketinsight.wordpress.com/

Découvrir l’alchimie et l’univers d’Artprice http://web.artprice.com/video dont le siège social est le célèbre Musée d’art contemporain Abode of Chaos / Demeure du Chaos http://goo.gl/zJssdhttps://vimeo.com/124643720

Musée d’Art Contemporain siège social d’Artprice: https://www.facebook.com/la.demeure.du.chaos.theabodeofchaos999

Contact ir@artprice.com

Index complet des 495 201 artistes recensés par Artprice.com

Index complet des 495 201 artistes recensés par Artprice.com

Índice completo de los 495.201 artistas listados por Artprice.com

Indice completo degli 495.201 artisti catalogati da Artprice.com

Complete index of the 495,201 artists listed by artprice.com

New: Complete index of the 495,201 artists listed by artprice.com

Das komplette Artprice.com Künstlerverzeichnis mit 495.201 verzeichneten Künstlern. :

Artprice refutes any emergency injunction from France’s auction market supervisor, the Conseil des Ventes Volontaires (CVV)

Artprice refutes any emergency injunction from France’s auction market supervisor, the Conseil des Ventes Volontaires (CVV)

Contrary to the CVV’s press release dated 6 January 2012 informing journalists that it was seeking an emergency injunction against Artprice, the company Artprice wishes to declare that no such procedure has been launched. To this day, Artprice has not received notification of any legal proceedings whatsoever regarding the forthcoming launch of its online brokerage service.

In fact, Artprice wishes to formally denounce the various erroneous interpretations that have resulted from that press release. As indicated by Artprice within hours of the CVV’s press release, courteous exchanges have taken place between Artprice and the CVV in the form of official letters. Artprice confirms that the contents of its response to the CVV’s press release of 6 January 2012 correspond perfectly to the calm and constructive discussions it has been engaged in with the CVV in recent days, and Artprice officially confirms the opening of its new online auction brokerage service conducted remotely via Internet (as described in paragraphs 2 and 3 of Article L321-3 of the French Code of Commerce) on 18 January 2012.

In the framework of its regulatory disclosures and in order to eliminate any misunderstanding, Artprice is re-posting (below) the press release it officially communicated on 6 January 2012, every point of which Artprice reiterates and confirms:

Artprice’s reply to the Conseil des Ventes Volontaires (French auction market supervisor)

Artprice discovered, first via the media and then via an email received from the Conseil des Ventes Volontaires, the latter’s request that Artprice should clearly and unequivocally indicate to the public its quality as an electronic auction broker « d’opérateur de courtage aux enchères réalisées à distance par voie électronique (in accordance with Article 5 of French Law no. 2011-850 of 20 July 2011) ». Considering our long, constructive and peaceful relations with the French auction market supervisory authority (Conseil des Ventes Volontaires), we believe that its reaction to the forthcoming launch of our online auction brokerage activity (18 January) is based on a misunderstanding that will be cleared up once it has examined our documentation and particularly the preventative measures we have taken to avoid confusion in this respect.

In the first instance, Artprice invites the financial markets, its shareholders, its1.3 million members and of course the Conseil des Ventes Volontaires to consult the financial documentation and press releases that Artprice has submitted to Actusnews, a special financial information website certified by the AMF (French Financial Markets Authority), and particularly the press release dated 1 January 2012 in which Artprice states in the very first line, without any shadow of ambiguity, that its new online activity is indeed an online auction brokerage activity (« opérateur de courtage aux enchères réalisées à distance par voie électronique in accordance with Article 5 of French Law no. 2011-850 of 20 July 2011”).

In fact, in order to avoid any confusion between the different legal statuses and activities covered by Law no. 2011-850 of 20 July 2011, Artprice has commissioned a court-appointed attorney to take all necessary steps to highlight the precautionary measures taken by Artprice via its regulated disclosures, the presentation on its website of its new activity, the General Conditions of Use published thereon and various other communication media, in order to avoid any confusion between Artprice’s activity (auction brokerage) and that of public auction sales.

Moreover, Artprice has taken the precautionary measure of translating into all the languages used by its website the key information concerning its new service and it has deliberately avoided translating the references to its legal status under Article 5 of the Law no. 2011-850 of 20 July 2011 precisely in order to avoid any confusion or misinterpretation that could arise from an inappropriate translation of Artprice’s status under Article 5 of French Law no. 2011-850 of 20 July 2011 vis-à-vis the other legal statuses that govern public auction sales.

In conclusion, Thierry Ehrmann, CEO and founder of Artprice, declares that he is perfectly satisfied with the measures taken by Artprice and that Artprice will commence its online auction brokerage activity (opérateur de courtage aux enchères réalisées à distance par voie électronique) on 18 January 2012 in accordance with Article 5 of French Law no. 2011-850 of 20 July 2011) and that the public will be able, as of Monday 9 January, to preview several thousand items advertised for sale at a broad range of prices, ranging from collectibles to museum-quality artworks. In total, Artprice has received ads representing roughly 700 million dollars in starting prices. As regards any legal discussions with the Tribunal de Grande Instance de Paris (Paris District Court), Artprice and its CEO believes that its will provide, through its lawyers Emmanuel Pierrat and Thierry Dumoulin, all the necessary elements to satisfy the parties concerned and to resolve the problem by eliminating any possible form of ambiguity.

It is clear that after nearly 500 years of monopolistic functioning, the auction market’s ambitious reform of 20 July 2011 (imposed by the European Directive Services) is bound to unsettle certain players in the market who are unaccustomed to free competitions environments.

Artprice cannot avoid the observation that having posted the best performance on the regulated French stock market (+ 472% since 1 January 2011) with a total volume of shares worth 873 million euros and a sliding annual progression of no less than 593% and 144 million euros of shares traded since 1 January 2012, it is naturally an object of envy and an attractive acquisition target for the historical players in the auction market who for reasons of conservatism have missed the train of History and of the Internet.

Source: http://www.artprice.com (c)1987-2012 thierry Ehrmann

Artprice is the global leader in databank on Art prices and indices with more than 27 million indices and auction results covering 450,000 Artists. Artprice Images(R) gives unlimited access to the largest Art Market resource in the world, a library of 108 million images or engravings of artworks from 1700 to the present day along with comments by Artprice’s art historians. Artprice permanently enriches its databanks with information from 3,600 auctioneers and publishes a constant flow of art market trends for the main news agencies and 6,300 international written media. For its 1.3 million members (member log in), Artprice posts standardized adverts in what is today the world’s leading Standardised Marketplace® for buying and selling works of Art (source Artprice).

Artprice is listed on Eurolist by Euronext Paris: Euroclear: 7478 – Bloomberg : PRC – Reuters: ARTF

List of Artprice press releases:
http://serveur.serveur.com/press_release/pressreleaseen.htm

Discover alchemy and Artprice’s universe on http://web.artprice.com/video/

Follow all of the art market’s news with Artprice on Twitter:
http://twitter.com/artpricedotcom/

Contact: email: ir@artprice.com

Artprice’s reply to the Conseil des Ventes Volontaires (French auction market supervisor)

Artprice discovered, first via the media and then via an email received from the Conseil des Ventes Volontaires, the latter’s request that Artprice should clearly and unequivocally indicate to the public its quality as an electronic auction broker « d’opérateur de courtage aux enchères réalisées à distance par voie électronique (in accordance with Article 5 of French Law no. 2011-850 of 20 July 2011) ». Considering our long, constructive and peaceful relations with the French auction market supervisory authority (Conseil des Ventes Volontaires), we believe that its reaction to the forthcoming launch of our online auction brokerage activity (18 January) is based on a misunderstanding that will be cleared up once it has examined our documentation and particularly the preventative measures we have taken to avoid confusion in this respect.

In the first instance, Artprice invites the financial markets, its shareholders, its1.3 million members and of course the Conseil des Ventes Volontaires to consult the financial documentation and press releases that Artprice has submitted to Actusnews, a special financial information website certified by the AMF (French Financial Markets Authority), and particularly the press release dated 1 January 2012 in which Artprice states in the very first line, without any shadow of ambiguity, that its new online activity is indeed an online auction brokerage activity (« opérateur de courtage aux enchères réalisées à distance par voie électronique in accordance with Article 5 of French Law no. 2011-850 of 20 July 2011”).

In fact, in order to avoid any confusion between the different legal statuses and activities covered by Law no. 2011-850 of 20 July 2011, Artprice has commissioned a court-appointed attorney to take all necessary steps to highlight the precautionary measures taken by Artprice via its regulated disclosures, the presentation on its website of its new activity, the General Conditions of Use published thereon and various other communication media, in order to avoid any confusion between Artprice’s activity (auction brokerage) and that of public auction sales.

Moreover, Artprice has taken the precautionary measure of translating into all the languages used by its website the key information concerning its new service and it has deliberately avoided translating the references to its legal status under Article 5 of the Law no. 2011-850 of 20 July 2011 precisely in order to avoid any confusion or misinterpretation that could arise from an inappropriate translation of Artprice’s status under Article 5 of French Law no. 2011-850 of 20 July 2011 vis-à-vis the other legal statuses that govern public auction sales.

In conclusion, Thierry Ehrmann, CEO and founder of Artprice, declares that he is perfectly satisfied with the measures taken by Artprice and that Artprice will commence its online auction brokerage activity (opérateur de courtage aux enchères réalisées à distance par voie électronique) on 18 January 2012 in accordance with Article 5 of French Law no. 2011-850 of 20 July 2011) and that the public will be able, as of Monday 9 January, to preview several thousand items advertised for sale at a broad range of prices, ranging from collectibles to museum-quality artworks. In total, Artprice has received ads representing roughly 700 million dollars in starting prices. As regards any legal discussions with the Tribunal de Grande Instance de Paris (Paris District Court), Artprice and its CEO believes that its will provide, through its lawyers Emmanuel Pierrat and Thierry Dumoulin, all the necessary elements to satisfy the parties concerned and to resolve the problem by eliminating any possible form of ambiguity.

It is clear that after nearly 500 years of monopolistic functioning, the auction market’s ambitious reform of 20 July 2011 (imposed by the European Directive Services) is bound to unsettle certain players in the market who are unaccustomed to free competitions environments.

Artprice cannot avoid the observation that having posted the best performance on the regulated French stock market (+ 472% since 1 January 2011) with a total volume of shares worth 873 million euros and a sliding annual progression of no less than 593% and 144 million euros of shares traded since 1 January 2012, it is naturally an object of envy and an attractive acquisition target for the historical players in the auction market who for reasons of conservatism have missed the train of History and of the Internet.

Source: http://www.artprice.com (c)1987-2012 thierry Ehrmann

Artprice is the global leader in databank on Art prices and indices with more than 27 million indices and auction results covering 450,000 Artists. Artprice Images(R) gives unlimited access to the largest Art Market resource in the world, a library of 108 million images or engravings of artworks from 1700 to the present day along with comments by Artprice’s art historians. Artprice permanently enriches its databanks with information from 3,600 auctioneers and publishes a constant flow of art market trends for the main news agencies and 6,300 international written media. For its 1.3 million members (member log in), Artprice posts standardized adverts in what is today the world’s leading Standardised Marketplace® for buying and selling works of Art (source Artprice).

Artprice is listed on Eurolist by Euronext Paris: Euroclear: 7478 – Bloomberg : PRC – Reuters: ARTF

List of Artprice press releases:
http://serveur.serveur.com/press_release/pressreleasefr.htm

Discover alchemy and Artprice’s universe on http://web.artprice.com/video/
Follow all of the art market’s news with Artprice on Twitter:
http://twitter.com/artpricedotcom/

Artprice Launches its Online Auctions

Artprice Launches its Online Auctions

PARIS, January 3, 2012 /PRNewswire/ —

As announced in previous press releases, Artprice, with its 1.3 million members in more than 90 countries, and in its capacity as an online auction broker (« opérateur de courtage aux enchères réalisées à distance par voie électronique », Article 5 of French Law no. 2011-850 of 20 July 2011) will be launching its online auctions service on 18 January 2012.

Since 27 December 2011, Artprice members have been able to prepare their ads in order to gain the maximum benefit from the visibility of Artprice’s global launch campaign. For further information please visit: http://web.artprice.com/classifieds/info?l=en

Although more than 90% of the art market was closed between Christmas and the New Year, Artprice has already registered several thousand lots for sale. Our initial client feedback suggests that users find the service very quick and simple to use.

According to Thierry Ehrmann, the founder and CEO of Artprice, « The train of History is now definitively rolling and Artprice is on that train, which nothing can stop from now on. It took twelve years and lots of patience and conviction to pursue a legal battle against a 500 year-old monopoly that is today demolished. » Breaking this monopoly is a victory for Artprice; but it is also beneficial to France, which has been losing its attractiveness as an art market for over 40 years, slipping from the first to the fourth position, and which, this year, with the help of Artprice, can hope to recover a position worthy of its tradition and its influence on the art market.

On Monday 2 January 2012, Artprice launched a global campaign in art and financial media, focused on the USA, Europe and Asia, alongside a « viral marketing » campaign on the Internet.

On Monday 9 January 2012, Artprice will start the presentation of lots to be auctioned in chronological harmony with the art market which, every year, kicks off in the second week of January.

A level of security rarely attained on the Internet.

Our alliance with Escrow.com, the global leader in the management of escrow accounts, provides a 100% guarantee of security and payment for the parties to all transactions. The service provided by Escrow.com has been specifically tailored to meet all of Artprice’s rigorous requirements. Artprice’s capacity to offer 100% transaction security relies on its excellent knowledge of the digital economy and developments in the fields of information technology and Internet law. Indeed, we can affirm with complete confidence that the security of Artprice’s online auctions and other services is greater than that offered by traditional auctions and non-internet transactions.

Artprice works on the fundamental principle of perfectly identified members and, via an agreement with INTERPOL, buyers can access at any moment the latter’s international Stolen Works of Art database to check if a work being offered for sale is subject to any legal dispute or search warrant.

Unlike certain well-known general online auction companies, Artprice imposes a permanent legal presence on its clientele to ensure the smooth operation of its online auction brokerage activities via its Standardised Marketplace. Artprice’s contacts over the past 5 years with approximately 70 criminal investigation departments around the world has allowed Artprice to build an unrivalled level of Internet confidence that is strengthened by its constant collaboration with artists, beneficiaries and experts.

The real strength of Artprice is its use of an escrow and payment release system for which Artprice has conceptualised all possible legal scenarios to ensure that completed transactions are legally irreversible and to provide a level of security rarely attained in the Internet sphere. This escrow system functions on exactly the same principle as that used by solicitors and lawyers for various kinds of transactions.

The very low commissions charged by Artprice completely alter the dynamic of the art market.

Art professionals, collectors and beneficiaries will be inexorably drawn to use Artprice’s service because its low commissions modify the fundamental reality of the secondary art market. Its rates decrease from 9% to 5% depending on the value (in USD) of the transaction: 9% from 0 to 7,500 dollars; 7% from 7,500.01 to 15,000 dollars and 5% for transactions over 15,000.01 dollars. According to Thierry Ehrmann, the 5% rate for works offered at over 15,000.01 euros could attract entire sections of the Art market to this modus operandi because works in that price bracket are perfectly standardised and have been bought and sold for nearly 30 years, almost always « remotely », in view of the legal documents that vendors are obliged to produce on Artprice.

In parallel, Artprice is setting up white labels for major players in the art market, notably Auction Houses, that will use Artprice and its Standardised Marketplace as their technical host for online auctions, thereby providing Artprice – which is not an auctioneer – with another source of income.

Artprice is therefore open to demand from over 3,600 client and partner auctioneers and more than 7,400 art valuers who have already concretely manifested their vital need to join Artprice’s standardised marketplace in order to maintain their positions in the global art market and survive the necessary transition to a dematerialised art auction environment.

Internet, and more generally the digital revolution, has literally destroyed the global mono-economy of physical auction rooms, which today are just one channel for auctioneers to use and which -usually located in city centres- either represent an expensive (and now superfluous) rental cost or an under-exploited real estate asset.

In the context of a deeper than ever global economic and financial crisis, Artprice has once again -as in 2008- observed a very sharp increase in the number of works offered for sale through its Standardised Marketplace, with an acceleration of buy-to-sell operations. We can therefore assume that auction sales will follow the same growth path. Indeed, we are of the view that the economic and financial crisis represents a strong growth opportunity for Artprice’s Standardised Marketplace.

In fact, the history of the art market – like all markets – is naturally heading towards the circuits that are the fastest, the least expensive, the most liquid, where the price can be obtained in real-time and where there is a critical mass of participants with – of course – access to transparent information on all prices and indices.

Artprice’s Standardised Marketplace meets these five specific and vital needs for a modern market. Artprice, with its completely toll-free access model for its Standardised Marketplace, is absorbing the global market of private art sales faster than initially expected. With our extremely attractive rates we now expect to see the same pace of growth with our online auction service.

Over nearly 7 years Artprice has seen exponential growth of the offer on its Standardised Marketplace (the annual figures are available in Artprice’s 2010 Registration Document and online at the AMF under number D.11-0784 since 25 August 2011). In 2010, Artprice confirmed a total volume of artworks offered worth nearly 6.3 billion euros with a sales rate of approximately one third, for which Artprice received no commission.

We should point out that only Artprice holds and protects, as intellectual property, the entire process for joining the Standardised Marketplace® and for side-stepping the traditional system of physical auction rooms. Indeed, the situation may justifiably be compared to the old Stock Exchanges before the arrival of the ECNs (Electronic Communication Network) that made the outcry halls redundant on the majority of the world’s major stock markets, primarily by reducing the intermediation costs.

Art… a veritable safe haven investment in times of major crisis.

The economic and business media (Le Monde, The New York Times, the F.T. the A.F.P., Reuters, Bloomberg, etc.) regularly indicate that quality art represents a genuine safe haven in major crises. Artprice, Christie’s, Sotheby’s and the major international auctioneers also confirm the safe haven status of artworks (c.f. the Agefi’s interview with Artprice). In fact, despite the sombre economic and financial global context in 2011, the global art market posted extremely positive figures both in terms of volumes and prices in all countries, and numerous artists in Artprice’s global Top 500 posted new records.

This confidence is manifest on all continents. Like gold, artworks have for centuries been defensive investments in major crises and particularly in the context of sharp meltdowns in financial asset values such as those that the global economy is likely to continue experiencing in 2012/2013.

Artprice will soon be announcing alliances that will allow a presence on all continents with local partners.

The future of Artprice in 2012 and of the Art Market is unavoidably linked to Asia.

Artprice was the first press agent in the world to announce and certify figures in 2011 showing that China had unquestionably become the world’s leading art marketplace ahead of the USA in 2011. Artprice’s figures for 2011 have already confirmed China’s domination of the global art market for the second consecutive year.

There is therefore an irresistible logic to Artprice’s patient preparation for the opening of its subsidiary and clean rooms in Hong Kong that will be a testing ground for the People’s Republic of China and an entry point for Asia. Hong Kong is already one of the top five global art marketplaces. Likewise, agreements with major players such as online auction operators and major Asian art fairs will allow Artprice to extend the diffusion initiated in 2011 of its Asia-specific art market reports, country by country. As a simple example, Singapore should soon overtake France in the field of Contemporary Art sales. In this context Artprice and Art Stage Singapore, Asia’s largest Contemporary Art Fair (along with Art HK), have decided to intensify their editorial partnership and their marketing strategy in 2012. Artprice will also be a strategic partner with Art HK (Hong Kong).

The Internet’s absolute domination of the art market in 2012.

In 2012 Internet is therefore just a simple extension of the 1980s telephonic order with, in addition, a perfect reproduction of the work for the buyer and Artprice’s remarkable success is proof of this…. there remained therefore a final step and indeed the hardest step: the standardisation of the marketplace that Artprice has achieved in 14 years by imposing its unique and free standard via its Standardised Marketplace®.

From 1987 to 2004, Artprice’s databanks became the reference in this area and made Artprice the global leader in standardised art market information before it turned to the problem of market dematerialisation. This latter project fully exploits the standardisation represented by its 18 databases, fed by acquisitions around the world of publishers and art archives.

All of the industrial processes forming Artprice’s databanks are patent protected, notably by the A.P.P. (Agence de Protection des Programmes). These industrial processes standardise the Art Market (artist ID, work ID, catalogue raisonné ID, bibliography ID, estimate/econometric info ID.) with more than 180 million data entries and proprietary indices.

This globally unique knowledge is clearly explained in Artprice’s corporate video in five languages: http://web.artprice.com/video/

Artprice posted the best French stock market progression in 2011 and has filed a request for admission to compartment B of Euronext Paris.

Despite the crisis affecting stock market’s, Artprice’s share price outperformed in 2011 with an astonishing increase of +472% since 1 January 2011, on the back of a traded volume of approximately 873 million euros, i.e. an average daily volume of 3.2 million euros. This increase was the best performance on the regulated French Eurolist by Euronext markets (compartments A, B, C).

As Artprice satisfied all the admission criteria for admission to Compartment B in 2011, it is preparing its admission request for registration on compartment B of Eurolist to be filed with the French Financial Markets Authority (AMF) along with the presentation of its candidacy to the NYSE Euronext Scientific Committee for Indices to be included in the indices relating to Compartment B.

In order to understand the legislative evolution of the art market over five centuries and the impact of recent changes on Artprice, we invite our shareholders and the market to read the 72 short and pedagogical questions and answers that form the basis of the interviews conducted in June and October of 2011. Hyperlinks to Actusnews (a professional regulated information provider licensed by the AMF): http://www.actusnews.com/communique.php?ID=ACTUS-0-25689

Lastly, Artprice invites its new and future shareholders who would like to acquaint themselves with the history of the Company to consult its highly detailed regulated information in its 2010 Registration Document filed and online at the AMF under D.11-0784 since 25 August 2011. Artprice, with more than 12 years of regulated disclosure on Eurolist, is proud of the high quality of the information it provides to financial market professionals and art market novices. All the questions of Artprice’s 18,000 shareholders are systematically answered in Artprice’s regulated disclosures that its posts online on its own website and on that of its AMF-authorised financial information provider, ActusNews.com.

Source: http://www.artprice.com (c)1987-2012 Thierry Ehrmann

Artprice is the global leader in databank on Art prices and indices with more than 27 million indices and auction results covering 450,000 Artists. Artprice Images(R) gives unlimited access to the largest Art Market resource in the world, a library of 108 million images or engravings of artworks from 1700 to the present day along with comments by Artprice’s art historians. Artprice permanently enriches its databanks with information from 3,600 auctioneers and publishes a constant flow of art market trends for the main news agencies and 6,300 international written media. For its 1.3 million members (member log in), Artprice posts standardized adverts in what is today the world’s leading Standardised Marketplace® for buying and selling works of Art (source Artprice).

Artprice is listed on Eurolist by Euronext Paris: Euroclear: 7478 – Bloomberg : PRC – Reuters: ARTF

List of Artprice press releases: http://serveur.serveur.com/press_release/pressreleasefr.htm

Discover alchemy and Artprice’s universe on http://web.artprice.com/video/

Follow all of the art market’s news with Artprice on Twitter: http://twitter.com/artpricedotcom/

Contact: Josette Mey – tel: +33(0)478-220-000, email: ir@artprice.com